A
Literary Quiz
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
So wrote William Carlos Williams in
“Asphodel, That Greeny Flower.” He’s affirming, as many have done, the
importance of art in our lives. We’re diminished and even bereft without it.
Sorry, but that sentiment isn’t
true. People can do just fine without reading Dante or listening to a sonata by
Mozart or looking at a Vermeer painting. Or, to drop down a good way from those
titans, they get along quite well with literature or art or music that is
merely of high quality. Of course, they may get on quite badly, but they can’t
be rescued from their misery by poetry. Maybe a few can get a momentary lift,
but that’s all. Good parents, or love, or achieving their dreams (if they dare
to aspire to something) would be of more help to them. To achieve a full and
happy life money is much more important than what is found in poetry; at least
it can provide adequate food and shelter. Williams, who was a doctor among the
poor in Patterson, New Jersey, should have known that.
Those who appreciate art can die
(and live) as miserably as those who don’t care a fig for such things. Many
creators of art have been exceedingly unhappy. Suicides abound.
This cynical perspective may seem
odd coming from someone who writes reviews and essays on literary matters. I’ve
long been an advocate for the arts, but I’ve been unable to get anyone to share
what I value — to read a book or even see a film I recommend. There’s a
barrier, a stubborn refusal. Their attitude is this: only if you put a revolver
to my head and fully intend to pull the trigger will I read this book or watch
this film. Otherwise, no. Why do they resist? Most likely they have me tagged
(unfairly) for a person whose tastes lean toward work which is difficult, and
they don’t want to expend energy in that way. It’s a chore, like dusting the
Venetian blinds. If they do read, it’s something undemanding; when they see a
film (and they do see films) they seek mindless escapism. I feel that they’re
choosing ground chuck over prime rib, but a burger with bacon and cheese, on a
toasted bun, is satisfying to them.
Let’s put the majority of human
beings aside and consider writers of fiction. These are the people who would
respond to Williams’ poem and would espouse the belief that literature is of
primary importance. If so, shouldn’t they be readers? My contact with writers,
on a one-to-one basis, doesn’t occur in my daily life. It’s only on those
infrequent occasions when I go to artists’ colonies that I’ve rubbed elbows
with them. Some are well-read, but for the majority their experiences with
literature are shallow. In conversations I’ve found that their reading consists
of the following: novels or stories that have been assigned to them in classes
(many have advanced degrees in creative writing); that which is currently in
fashion; work recommended by someone they consider important to their career
(and, if this important person gets something published, they read it and then
compose a letter to him or her using words like “luminous” and “moving”). They
may also read a book that’s similar to the one they’re contemplating writing.
There it ends, and I see no desire to go further.
I don’t consider these people to be
well-read, even though they may think they are.
So here it is, writers, a quiz which
will test how deep your knowledge of literature goes. I’ll stick to authors who
wrote in the 20th century (and no person will appear more than
once); I won’t include obscure works (if you disagree, check out their
provenance); novels or stories written in a foreign language are excluded.
It’s not a difficult quiz — really,
it isn’t. I eliminated quite a few deserving authors whose work has been
recognized as worthy. I thought, “Nobody will get this one.” Of course, some
would get him or her, and their work, but too few.
What will make this seem like an
unfair test to some is another exclusion: representatives from those five
categories of books that I cited previously — the types of books that the
ill-read do read — are mostly absent.
The test consists of 100 points. The
questions in Section Two are worth one point each, but all the other sections
have two parts, and if you get one of the two, you’re entitled to one point.
Guesses of the educated kind are encouraged.
A score of 94 or more correct
responses puts you in the range of an A. 86 to 93, a B. 78 to 85, a C. 70 to
77, a D. Below that, you’ve flunked. You can use your computer (Wikipedia is
useful) to check the answers.
I’ve included a way for you to boost
your total score with extra points. This will be explained in the final
section.
Last comment: I’ve only included works
that I value. All novels and stories mentioned in the quiz are ones I consider
to be very good to great. So maybe, if you draw a blank, you can search them
out and read them. (Where’s my revolver?)
1) Connect the
authors with the following places and name a book they appeared in. (16 points)
a) E. M. Forster Nuthanger
Farm
b) Henry Miller Toad Hall
c) Katherine Anne Porter Marabar
Caves
d) Richard Adams Five Towns
e)
Edith Wharton Villa Borghese
f) Thomas Berger Starkfield,
Mass.
g) Kenneth Grahame The Vera
h) Arnold Bennett Little Bighorn
2) Connect the
author with the short story he/she wrote (12 points)
a) Gertrude Stein The Swimmer
b) Bernard Malamud Wigtime
c) D.H. Lawrence Guests of the
Nation
d) William Carlos Williams Paul’s
Case
e) John Cheever The Good
Anna
f) Isaac Bashevis Singer The
Use of Force
g) Frank O’Connor A Painful Case
h) Sherwood Anderson The
Magic Barrel
i) Raymond Carver The Odour of
Chrysanthemums
j) Willa Cather Gimpel
the Fool
k) Alice Munro The Egg
l) James Joyce Are
These Actual Miles?
3) Supply the name
which completes the title of the novel, and connect it with its author. (20
points)
a) Morte d’___ Evan
Connell
b) The Lonely Passion of ___ ___ Edward Lewis Wallant
c) Mrs./Mr. ___ Kingsley
Amis
e) ___’s Journey Robert
Graves
e) Sister ___ Brian
Moore
f) The Tenants of ___ James
T. Farrell
g) Lucky ___ J. F.
Powers
h) A House for Mr. ___ William
Trevor
i) The Young Manhood of ___ ___ Theodore Dreiser
j) I, ___ V.
S. Naipaul
4) Connect the
author with the character they created and name a book they appeared in (28
points)
a) Prewitt A.
B. Guthrie
b) Hazel Motes Truman
Capote
c) Harry Angstrom James Jones
d) Charlotte Haze Christopher
Isherwood
e) Willie Stark William
Faulkner
f) Perry Smith Flannery
O’Connor
g) Fraulein Schroeder Joseph Conrad
h) Sam Pollit Walker
Percy
i) Francie Nolan Vladimir
Nabokov
j) Binx Bolling Philip
Roth
k) Boone Caudill Betty Smith
l) Winnie Verloc Robert Penn
Warren
m) Brenda Patimkin Christina Stead
n) Popeye John
Updike
5) Connect a first
novel with a later work by the same author, and then name the author (22
points)
a) Burmese Days The Ballad
of the Sad Café
b) Company K Cold
Spring Harbor
c) The Ox Bow Incident A
Handful of Dust
d) Chrome Yellow The Day of the
Locust
e) The Heart Is a Lonely Hunter Coming Up for
Air
f) The Death Ship The Arrow of
God
g) The Folded Leaf The Bad Seed
h) Decline and Fall The Track of
the Cat
i) Revolutionary Road The
Chateau
j) The Dream Life of Balso Snell A Bridge in the
Jungle
k) Things Fall Apart Point
Counter Point
6) Extra credit
(though the authors and their works are as fully deserving as those that appear
in previous sections). Connect the author to the novel they wrote. In the list
below is either the name of a person or place that appears in that novel or is
the title of another work by the same author. You can earn one point if you
make both connections (10 possible points)
a) Mary McCarthy Loving
b)
Frank Norris Wide
Sargasso Sea
c)
Flann O’Brien The
Man Who Fell to Earth
d) Muriel Spark The Getting of Wisdom
e) Elizabeth Taylor The 42nd
Parallel
f)
Henry Green A
Charmed Life
g) Walter Tevis Momento Mori
h)
John Dos Passos The
Octopus
i)
Jean Rhys Mrs.
Palfrey of the Claremont
j) Henry Handel Richardson The Third Policeman
1) Charley Raunce,
servant
2) The Big
Money
3) Mr Rochester
4) Southern
Pacific Railroad
5) Angel
6) de Selby,
scientist/inventor
7) “Yonder
Peasant, Who Is He?”
8) Maud Long Ward
(aged people, female)
9) Australia
Felix
10) J. T. Newton,
Anthean
2 comments:
Wow. Too Much for this rural crumbler
For the entire gamut of quizzes, I probably knew 5. Didn't even attempt the others, it would have been purely guesswork. VERY DIFFICULT (for me).
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